Cyberpunk Future City UI Design
Nano Banana Pro; narrative tracks a bounty hunter looking at a bounty job and taking it, getting ready to take off from the galactic outpost. Prompt: "A single cohesive square image divided into a clean 2x2 grid with thin black borders, telling a sequential sci-fi space drama story of a tough female bounty hunter capturing and delivering her bounty at a galactic outpost. Character consistency (exact same in every panel): Bounty Hunter: Mid-30s athletic woman with short cropped silver hair, scarred cheek, wearing rugged black leather jacket with glowing neon accents, tactical pants, heavy boots, blaster holster on thigh, stern determined expression, cybernetic left arm with glowing circuits. Bounty: Male alien humanoid criminal (tentacle beard, blue skin, restrained with glowing energy cuffs), disheveled prisoner outfit, defeated glare. Environment consistency: Gritty galactic outpost spaceport at dusk—dusty landing pads, neon-lit cantina signs in alien languages, hovering drones, distant starry sky with twin moons, scattered cargo crates, worn metal walkways, atmospheric haze with floating dust particles. Style: Cinematic sci-fi drama like Blade Runner meets The Mandalorian, highly detailed photorealistic rendering, dramatic volumetric lighting with neon blues/purples/oranges, lens flares from ship engines, subtle film grain, epic widescreen composition vibes. Grid layout and progression (top-left → top-right → bottom-left → bottom-right): Panel 1 (wide establishing shot): Bounty hunter standing confidently in the outpost's dusty detention area, looking at a holographic bounty poster, alien bounty shows a menacing looking alien. Panel 2 (medium action shot): She walks with down the outpost, high-tech watch logs the bouny job just took, passersby (aliens and humans) glancing warily, hovering advertisement drones overhead. Panel 3 (three-quarter tracking shot): Hunter walking toward her parked sleek black bounty hunter spaceship (angular design with glowing engine vents), ramp lowering automatically as she approach, outpost towers and landing lights in background. Panel 4 (dynamic low-angle heroic shot): Inside the ship's cockpit from behind—hunter strapping in at pilot controls, starting engines with holographic displays activating and thrusters glowing bright blue, bounty secured in rear holding cell visible through glass, ship beginning liftoff as outpost recedes below, stars ahead. Aspect ratio 1:1 for perfect square grid, ultra-detailed cinematic masterpiece, best quality, dramatic sci-fi lighting and atmosphere."
